The Philosophy of Minimalism in Art and Life: Exploring Minimalism as Both an Artistic Movement and a Lifestyle Philosophy

Abstract

This article examines minimalism as a dual phenomenon both as an influential artistic movement of the mid-20th century and as a contemporary lifestyle philosophy that advocates simplification and intentionality. Through a critical analysis of key minimalist artists including Donald Judd, Agnes Martin, and Sol LeWitt, alongside contemporary minimalist lifestyle advocates, this research explores the philosophical underpinnings that connect these seemingly disparate manifestations. The study reveals how minimalism in both domains shares fundamental principles: reduction to essentials, emphasis on negative space, rejection of excess, and the pursuit of meaning through simplicity. Drawing on phenomenological frameworks and theories of aesthetic experience, this article suggests that minimalism represents more than a stylistic approach or organizational method it constitutes a coherent philosophical stance toward existence that responds to the complexities and excesses of modern consumer society. Through this dual investigation, the research illuminates how minimalist principles transcend disciplinary boundaries to offer a unified approach to both creating and living.